Stadium tours don’t usually announce sequels from the stage, but Post Malone‘s San Francisco declaration suggests the genre-blending experiment just became a permanent fixture. During the final U.S. date of his Big A– Stadium Tour in July 2025, Malone addressed the crowd with news that sent social media into overdrive: “And I learned as of a couple of days ago that we get to go out and do this s–t next f–king summer too, ladies and gentlemen.” Standing beside him was Jelly Roll, whose grin probably registered on seismic equipment.
The timing couldn’t be more strategic. Both artists are riding momentum that defies traditional genre expectations—Malone’s seamless pivot from hip-hop to country-rock, and Jelly Roll’s ascension from Nashville’s underground rap scene to mainstream country stardom. Their collaboration on “Losers” has become a nightly highlight, with audiences singing along to lyrics that blend vulnerability with stadium-sized hooks—a fitting setup ahead of Jelly Roll’s Nashville farewell before his long-anticipated stadium moment.
What makes this partnership particularly compelling is Jelly Roll‘s international breakthrough. After years of visa restrictions due to his criminal record, he’s finally cleared to perform in the UK, marking his European debut at London’s Tottenham Stadium later this summer. The redemption narrative writes itself, but the music backs up the story.
Tour Details Still Developing
The specifics remain tantalizingly vague. No official dates, venues, or even confirmation of the tour’s structure have been announced through official channels. Will it be an extension of the Big A– Stadium Tour brand, or something entirely new? Industry insiders suggest both possibilities are on the table, with management teams likely weighing the success of current shows against the potential for an even bigger co-headlining spectacle.
Your summer 2026 concert budget should probably start accounting for this reality now. If you’ve witnessed the chemistry between these two artists live, you know this isn’t just a business decision—it’s two musicians who genuinely elevate each other’s performances. Malone’s declaration that Jelly Roll was “the only artist he wanted at his side” wasn’t typical tour hype; it sounded like a genuine artistic partnership—one that could rival the biggest concerts ever in both energy and attendance.
The broader implications extend beyond two artists extending their professional relationship. This tour represents the mainstream acceptance of genre-fluid collaborations that actually work, not just marketing experiments. When stadium crowds sing along to both “Circles” and “Son of a Sinner” with equal enthusiasm, traditional industry categories start looking pretty arbitrary.
